Mashikaku

Mashikaku is a modern, square-based typeface composed solely of horizontal and vertical lines. Inspired by the Edo-period Kakuji script, it retains the geometric essence of its predecessor while adapting to contemporary spaces with a clean and approachable aesthetic.

(Release on February, 2025)

U+771FThin U+771F
U+4EEEThin U+4EEE
春 U+6625U+6625
過 U+904EU+904E
而 U+800CU+800C
來 U+4F86U+4F86
夏 U+590FU+590F
向 U+5411U+5411
者 U+8005U+8005
足 U+8DB3U+8DB3
檜 U+6A9CU+6A9C
木 U+6728U+6728
乃 U+4E43U+4E43
山 U+5C71U+5C71
呼 U+547CU+547C
等 U+7B49U+7B49
余 U+4F59U+4F59
米 U+7C73U+7C73
左 U+5DE6U+5DE6
夜 U+591CU+591C
中 U+4E2DU+4E2D
尒 U+5C12U+5C12
鳴 U+9CF4U+9CF4
霍 U+970DU+970D
公 U+516CU+516C
鳥 U+9CE5U+9CE5
始 U+59CBU+59CB
音 U+97F3U+97F3
乎 U+4E4EU+4E4E
聞 U+805EU+805E
婆 U+5A46U+5A46
奈 U+5948U+5948
都 U+90FDU+90FD
可 U+53EFU+53EF
之 U+4E4BU+4E4B
菖 U+83D6U+83D6
蒲 U+84B2U+84B2
花 U+82B1U+82B1
橘 U+6A58U+6A58
乎 U+4E4EU+4E4E
貫 U+8CABU+8CAB
交 U+4EA4U+4EA4
可 U+53EFU+53EF
頭 U+982DU+982D
良 U+826FU+826F
久 U+4E45U+4E45
麻 U+9EBBU+9EBB
泥 U+6CE5U+6CE5
尒 U+5C12U+5C12
里 U+91CCU+91CC
響 U+97FFU+97FF
喧 U+55A7U+55A7
渡 U+6E21U+6E21
礼 U+793CU+793C
騰 U+9A30U+9A30
母 U+6BCDU+6BCD
尙 U+5C19U+5C19
之 U+4E4BU+4E4B
努 U+52AAU+52AA
波 U+6CE2U+6CE2
由 U+7531U+7531
反 U+53CDU+53CD
鸞 U+9E1EU+9E1E
翺 U+7FFAU+7FFA
鳳 U+9CF3U+9CF3
翥 U+7FE5U+7FE5
鸞 U+9E1EU+9E1E
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鳳 U+9CF3U+9CF3
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鸞 U+9E1EU+9E1E
翺 U+7FFAU+7FFA
鳳 U+9CF3U+9CF3
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鸞 U+9E1EU+9E1E
翺 U+7FFAU+7FFA
鳳 U+9CF3U+9CF3
翥 U+7FE5U+7FE5
鸞 U+9E1EU+9E1E
翺 U+7FFAU+7FFA
鳳 U+9CF3U+9CF3
翥 U+7FE5U+7FE5
鸞 U+9E1EU+9E1E
翺 U+7FFAU+7FFA
鳳 U+9CF3U+9CF3
翥 U+7FE5U+7FE5

story

Mashikaku is a modern, square-based typeface composed solely of horizontal and vertical lines. Inspired by the Edo-period Kakuji script, it retains the geometric essence of its predecessor while adapting to contemporary spaces with a clean and approachable aesthetic.

Kakuji is a decorative Edo-era typeface that represents kanji using only straight lines. It was primarily used for symbols such as family crests and the markings on artisans’ work coats (shirushi hanten). Ukiyo-e prints from the time depict scenes where Kakuji was naturally integrated into daily life.

Mashikaku preserves the essential elements needed to recognize each kanji while simplifying or merging other parts to create a distinct yet minimalistic appearance. Subtle spacing adjustments in denser areas enhance readability and provide a light, airy impression.

This typeface reinterprets the Edo-era concept of incorporating characters into everyday life as a form of expression to suit modern aesthetics. Blending seamlessly into signage, decorative design, and product applications, Mashikaku highlights the inherent beauty of kanji while harmonizing with contemporary spaces.

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Toyokuni, Dote no O-Roku, Obiya Chōemon, Shinano-ya Ohan, Kataoka Kōzaemon, Taihei, Ansei 5 (1858). National Diet Library Digital Collections.(https://dl.ndl.go.jp/pid/1312556)

Toyokuni, Dote no O-Roku, Obiya Chōemon, Shinano-ya Ohan, Kataoka Kōzaemon, Taihei, Ansei 5 (1858). National Diet Library Digital Collections..

rules

Even if some lines are missing, the letters remain recognizable.

weight / Thin

Straight Lines Only

Glyphs are constructed using only horizontal and vertical lines.

weight / Thin

11×11 Grid

Each glyph is designed within an 11×11 grid.

weight / Thin

Uniform Spacing

Consistent spacing is maintained between lines and dots.

weight

weight / ThinThin
weight / LightLight
weight / RegularRegular
weight / MediumMedium
weight / BoldBold
weight / BlackBlack

style

Mashikaku NormalNormal
Mashikaku RoundRound

status of development

CJK Unified Ideographs

18.07% 3,793 / 20,989

* as of June 22, 2020

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